Item Description
isnwecp Artist: SONNY CRISS Title: Sonny Criss Label: IMPERIAL LP 9020.
Monaural pressing on medium thick vinyl, with deep groove.
Label is burgundy with silver text.
Year: 1956 Personnel: Sonny Criss alto sax Sonny Clark piano Leroy Vinnegar bass Lawrence Marable - drums.
Condition: DISC: Vinyl is VG with full original gloss.
There is one hairline scuff on Side 2, on last 2 tracks that is feelable but only produces a few very minor ticks, no distractions whatsoever.
This is a great sounding LP with no loud clicks, pops, or distractions.
Very clean sound, very enjoyable listening.
Labels are clean.
You will need to look long and hard to find a better sounding copy.
I have included sound clips of the final two tracks on Side 2 from this actual LP, and not modified or altered in any way so you can hear what you are getting.
Winning bidder will not be disappointed.
JACKET: Laminated jacket is EXCELLENT with nice clean, bright panels.
Bottom seam has a minor split approximately 2 inches at center.
Otherwise seams, spine, and surfaces are excellent.
Overall a very fine jacket you will be proud to display.
Track Listing: Side One: Summertime Memories of You Wailin with Joe How Deep is the Ocean The Blues for Rose The Man I Love Side Two: It Will Have to Do Until the Real Thing Comes Along Blue Prelude After You ve Gone Come Rain or Come Shine How High the Moon If I Had You Review: By the mid- 50s, William Sonny Criss was maturing as a significant voice on the alto saxophone.
Heavily influenced by Charlie Parker, much of Criss earlier output was plagued by a hurried time feel, awkward phrasing and an uncomfortably tense vibrato.
Go Man , one of three dates he did for the Imperial label, showcases a confident, energetic Criss on ten standard tunes and two original lines.
This hard-to-find collection is a must-have for fans of pianist Sonny Clark, heard in fine form a bit more aggresive and on top of the beat than usual along with the very coherent team of bassist Leroy Vinnegar and drummer Lawrence Marable.
Only 24 years old at the time of recording, Clark had recently settled in California and was establishing himself as an inspired accompanist and soloist with the groups of Buddy DeFranco and Howard Rumsey.
Clark s piano introduces nearly every cut on this recording, and his crisp, inventive soloing is a perfect compliment for Criss brightly expressive, lightening quick lines.
Overall, a lively assortment of concisely rendered, boppish treatments.
Review courtesy of Lee Bloom, allmusic.com Guaranteed to be original and authentic.
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