The Beatles Yesterday and Today LP Butcher Cover 2nd State Peel Authentic Scarce

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The Beatles Yesterday and Today LP Butcher Cover 2nd State Peel Authentic Scarce
Auction Details:
Code ID
Ebay Item #
Sold Price
Auction End date
14 Aug 2017
Seller Location
Petaluma, California

Item Description

Offered for sale is an authentic Beatles Yesterday and Today LP (Capitol Records T2553 Stereo), which has had the new cover graphics only partially peeled off revealing the original album cover underneaht, and is one the band's most collected and sought after releases (see bio info below).  The item is in "GOOD" condition (see details above), and is still suitable for usage or display.  The asking price is $299.99 + FREE shipping/handling (U.S. Domestic), and feel free to contact me with further questions or comments.
Yesterday and TodayYesterday and TodayStudio album by the BeatlesReleased20 June 1966[1]Recorded1965–66StudioEMI Studios, LondonGenreRock, psychedelic rock, folk rockLength27:33LabelCapitolProducerGeorge MartinThe Beatles North American chronologyRubber Soul
(1965)Yesterday and Today
(1966)The controversial original "butcher" coverProfessional ratingsReview scoresSourceRatingAllMusic[2]Encyclopedia of Popular Music[3]The Rolling Stone Album Guide[4]

Yesterday and Today is a studio album by the Beatles, their ninth album released on Capitol Records and eleventh overall American release. It was originally issued only in the United States and Canada. In the 1970s it was issued in Japan. A later UK release (on Compact Disc) followed in 2014. The album is remembered primarily for the controversy surrounding its original cover image, the "butcher cover" featuring the band dressed in white smocks and covered with decapitated baby dolls and pieces of meat. The album's title is based on the song "Yesterday". Early album cover proofsshow the word "Yesterday" in quotes.[5]

Both Tim Riley[6] and American Songwriter journalist Jim Beviglia classified Yesterday and Today as a compilation album,[7] and MusicRadar said it was one in a series of "hit-filled compilation albums" that the American Capitol label "sliced and diced" from the Beatles' original British albums.[8]

Contents  [hide] 1Music2Release and reception2.1"Butcher cover"3CD release4Track listing5Charts and certifications5.1Chart performance5.2Certifications6Notes7References8External links


Yesterday and Today included tracks from the Beatles' two most recent British LPs which had not yet been included on American albums, plus three from their upcoming LP in the United Kingdom, plus two songs which were back-to-back on a single:

from the UK LP Help!, the tracks "Act Naturally" and "Yesterday" (earlier issued by Capitol as a single)from the UK LP Rubber Soul, the tracks "Nowhere Man" and "What Goes On" (also earlier issued by Capitol as a single), plus "Drive My Car" and "If I Needed Someone."[9]both sides of the double A-side single "Day Tripper"/"We Can Work It Out"from the not-yet-released UK LP Revolver, the tracks "I'm Only Sleeping", "Doctor Robert", and "And Your Bird Can Sing," issued here in duophonic mixes (see below).[10] (These three tracks appeared in true stereo on tape releases and later vinyl releases. The true stereo mixes of "I'm Only Sleeping," "Doctor Robert," and "And Your Bird Can Sing" that appear on Yesterday and Todayare different from the ones used for the subsequent release of Revolver in the UK,[11] and currently remain unreleased on compact disc.)

The hodge-podge nature in which Capitol Records compiled their albums irritated the group, who felt they had "put a lot of work into the sequencing" of the British albums.[12]

Release and reception[edit]

Released on 20 June 1966, the Yesterday and Today album's controversial cover (see section below) marked the first time the Beatles' judgement was criticised by the media and distributors. After advance copies were sent to disc jockeys and record reviewers, negative reaction to the cover photo was so strong Capitol recalled 750,000 copies from distributors to replace the cover. The total cost to Capitol to replace the cover and promotional materials was $250,000, wiping out their initial profit.[13] Nevertheless, the album reached #1 on the US Billboard charts by 30 July 1966 and certified gold soon after. It stayed at number one for five weeks.[14]

"Butcher cover"[edit]

On 25 March 1966, photographer Robert Whitaker had the Beatles in the studio for a conceptual art piece titled A Somnambulant Adventure. For the shoot, Whitaker took a series of pictures of the group dressed in butcher smocks and draped with pieces of meat and body parts from plastic baby dolls. The group played along as they were tired of the usual photo shoots—Lennon recalled the band having "boredom and resentment at having to do another photo session and another Beatles thing"[15]—and the concept was compatible with their own black humour.[12] Although not originally intended as an album cover, the Beatles submitted photographs from the session for their promotional materials. According to a 2002 interview published in Mojo, former Capitol president Alan W. Livingston stated that it was Paul McCartney who pushed strongly for the photo's inclusion as the album cover, and that McCartney reportedly described it as "our comment on the [Vietnam] war".[16] A photograph of the band smiling amid the mock carnage was used as promotional advertisements for the British release of the "Paperback Writer" single. A similar photograph from this shoot was used for the cover of the 11 June 1966 edition of the British music magazine Disc.[17]

In the United States, Capitol Records printed approximately 750,000 copies of Yesterday and Today with the same photograph as "Paperback Writer".[17][18] They were assembled in Capitol's four US plants situated in different cities: Los Angeles, California; Scranton, Pennsylvania; Winchester, Virginia; and Jacksonville, Illinois. Numbers designating where the covers originated were printed near the RIAA symbol on the back; for example, stereo copies from the Los Angeles plant are designated "5" and mono Los Angeles copies are marked "6". Mono copies outnumbered stereo copies by about ten to one, making the stereo copies far more rare and valuable to collectors. A small fraction of the original covers were shipped to disc jockeys and reviewers as advance copies. Reaction was immediate, as Capitol received complaints from some dealers. The record was immediately recalled under orders from Capitol parent company EMI chairman Sir Joseph Lockwood[19]and all copies were ordered shipped back to the record label, leading to its rarity and popularity among collectors.

At the time, some of the Beatles defended the use of the Butcher photograph. Lennon said that it was "as relevant as Vietnam" and McCartney said that their critics were "soft".[17] However, this opinion was not shared by all band members. George Harrison said in The Beatles Anthology that he thought the whole idea "was gross, and I also thought it was stupid. Sometimes we all did stupid things thinking it was cool and hip when it was naïve and dumb; and that was one of them."[12] In 2007 George Martin, the Beatles' producer, recalled that the cover had been the cause of his first strong disagreement with the band. He added: "I thought it was disgusting and in poor taste … It suggested that they were madmen. Which they were, but not in that way."[20]

Capitol initially ordered plant managers to destroy the covers, and the Jacksonville plant delivered most of its copies to a landfill. However, faced with so many jackets already printed, Capitol decided instead to paste a much more conventional cover over the old ones. The new cover, featuring a picture of the band posed around an open steamer trunk, had to be trimmed on the open end by about 3 mm (1/8 inch) because the new sheet, known as a "slick", was not placed exactly "square" on top of the original cover. Tens of thousands of these so-called "Trunk" covers were sent out. As word of this manoeuvre became known to the public, owners of the altered cover attempted, usually unsuccessfully, to peel off the pasted-over cover, hoping to reveal the original image hidden beneath. Eventually, the soaring value and desirability of unpasted-over Butcher covers spurred the development of intricate and complex techniques for peeling the Trunk cover off in such a way that only faint horizontal glue lines remained on the original cover.

Copies that have never had the white cover pasted onto them, k