Solidarity Unit Inc red, Black Green insanely Rare Orig 72 Free Jazz Private Lp

This item have been sold for $ 1064.25

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Auction Details:
Code ID
#359494
Ebay Item #
143616248718
Sold Price
$1064.25
Bids
33
Auction End date
04 Jun 2020
Seller Location
Rego Park New York
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Item Description

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WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS

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SOLIDARITY UNIT, INC. featuring CHARLES BOBO SHAW - RED, BLACK GREEN - INSANELY RARE ORIGINAL 1972 PRIVATE PRESSING NO LABEL, NO CATALOG NUMBER

ORIGINAL U.S. PRESSING

ORIGINAL UNIDENTIFIABLE BY THE TITLE LABEL WITH AFROCENTRIC RED, BLACK AND GREEN COLORS

THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

ORIGINAL, THICK CARDBOARD COVER AMERICAN STYLE

CLEAN, WEAR-FREE LABELS

THICK, HEAVY VINYL PRESSING

As far as we know, this album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.

PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW

Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a recycled image from our previous auction. What you see is what you ll get. GUARANTEED

Produced and issued by Charles Bobo Shaw himself, Red, Black Green, by Solidarity Unit, Inc. documents what happened inside the bag room in st. louis, mo, the day Jimi Hendrix died. Shaw captured his ten piece ensemble s raw teeming caterwaul in a low-res recording as gloriously blunt as his bw cover art. lake bowie were by this time already powerful soloists, both declaim fervently and damn near relentlessly over Shaw s swaggering themes. Dead at age 34 and recorded just four times, guitarist Richard Martin s performance is a true revelation as Martin leaps from blues idioms to screaming attacks to pure howling feedback, one wonders if even Sonny Sharrock reached these places with the instrument. furious kit hand drumming, violently rattling little instruments, jabbing percussive rhodes, thundering bass guitar, these guys don t hold back easy to say lost underground free jazz classic, but that s the real story here.

EXCERPT FROM AN ANONYMOUS ONLINE REVIEW

Recorded on the day of Jimi Hendrix s death and dedicated to his memory, the music has an incendiary power, always alert and driving, but with sudden explosive entries by the two trumpets that suggest the drama and power of R n B. While many of the instruments blur into a collective roar, there are some very fine moments from Oliver Lake, already playing with a controlled frenzy, and Joseph Bowie, whose trombone possesses a fluid bluster. There s also a rare appearance by a very intense Richard Martin, one of the first guitarists to begin assembling a personal vocabulary from free jazz and rock. The concluding moments of the side-long Beyond the New Horizon present a lyrical postlude to the heat, with just Lake and Shaw on flute and drums

EXCERPT FROM AN ONLINE REVIEW BY STUART BROOMER

Track list:

A1 Something To Play On

A2 Floreo

B Beyond The New Horizon

Credits

Alto Saxophone, Flute Oliver Lake

Bass Carl Richardson, Kada Kayan

Congas Danny Trice

Guitar Richard Martin 3 tracks: A1

Liner Notes Ajule Rutlin, Charles Bobo Shaw

Percussion Charles Wesley Shaw, Jr. Bobo

Piano Clovis Bordeaux

Trombone Joseph Bowie

Trumpet Baikida Yaseen, Floyd Leflore

Written-By, Composed By, Producer, Directed By Charles Shaw

CONDITION:

THE RECORD:

IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded we grade records under the strong, diffuse room light or discrete sunlight

a WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting nothing significant .For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

b The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording

c Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording

THE COVER

THE COVER IS NICE --- ABOUT VERY GOOD VG .

The following flaws or imperfections are noted on the cover:

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