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CHARLIE PARKER with KENNY DORHAM CREDITED , MAX ROACH UNCREDITED AND OTHERS FIESTA - -RARE ORIGINAL 1957 VERVE/CLEF SERIES MONO LP MGV-8008
ORIGINAL U.S. PRESSING
ORIGINAL BLACK VERVE/CLEF SERIES LABEL WITH SILVER PRINT AND DAVID STONE MARTIN S TRUMPETER LOGO
DEEP GROOVE PRESSING
EXTREMELY RARE MONO PRESSING, MANY TIMES RARER THAN FAKE ELECTRONICALLY RECHANELLED STEREO
THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
THICK CARDBOARD COVER, AMERICAN STYLE.
ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER
CLEAN, WEAR-FREE LABELS
THICK, HEAVY VINYL PRESSING
MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL DEAD WAX OF THE RECORD
PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW
Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a recycled image from our previous auction. What you see is what you ll get. GUARANTEED
Charlie Parker s work with Latin jazz groups departs from his classic bebop playing primarily in its approach to rhythm. The more groove-oriented patterns of Latin jazz are in marked contrast to the sometimes irregular accents of bebop. This album has Parker blowing in front of the great Latin-Jazz percussionists - who provided the alto saxophonist with a perfect environment for him to take off from.
Personnel:
Charlie Parker alto saxophone on all tracks with:
Kenny Dorham trumpet Benny Harris trumpet Walter Bishop, Jr. piano Teddy Kotick bass Roy Haynes, Max Roach drums
Machito His Afro-Cuban Orchestra includes: Machito maracas Chico O Farrill conductor Gene Johnson, Fred Skerritt alto saxophone Jose Madera, Flip Phillips, Sol Rabinowitz tenor saxophone Leslie Johnakins baritone saxophone Mario Bauza trumpet, clarinet Paquito Davilla, Harry Sweets Edison, Al Stewart, Bobby Woodlen trumpet Rene Hernandez piano, bass Roberto Rodriguez bass Buddy Rich drums Jose Mangual bongos Luis Miranda, Chano Pozo congas Ubaldo Nieto timbales
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CONDITION:
RECORD
IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded we grade records under the strong, diffuse room light or discrete sunlight
a WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions mostly sleeve scuffs - are barely visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
b The record has a deep groove an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings .
c The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording
d Mono pressing of this title is much rarer, and by far more preferable to its FAKE electronically rechannelled stereo counterpart. We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 10:1.
e Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording
COVER
THE COVER IS NICE --- ABOUT VERY GOOD VG .
The following flaws or imperfections are noted on the cover:
- THIS ALBUM COMES FROM THE ESTATE OF JON XAVIER CORBIN, A MAJOR AND HIGHLY INFLUENTIAL BALTIMORE-BASED JAZZ COLLECTOR FROM THE TURN OF THE 50s/ 60s DECADE AND HAS A NUMBER OF HIS EX-LIBRIS AND OTHER MARKINGS:
- Cover has two ex-libris stamps on the back panel
- Front panel has a small sticker with a filing code affixed with clear scotch tape around it may be possible to remove, but we did not attempt to
