BEATLES REVOLVER INSANELY RARE SEALED ORIG 66 CAPITOL MONO LP STUNNING - rare vinyl collector item


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BEATLES~REVOLVER~INSANELY RARE SEALED ORIG '66 CAPITOL MONO LP~STUNNING!

BEATLESREVOLVERINSANELY RARE SEALED ORIG 66 CAPITOL MONO LPSTUNNING
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Auction Details:
Code ID
#9235
Ebay Item #
161628796421
Sold Price
$1211.00
Bids
15
Auction End date
15 Mar 2015
Seller Location
Rego Park, New York

Item Description

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WE CURRENTLY HAVE   NEARLY 1,000   LISTED ITEMS
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· THE BEATLES - REVOLVER – ORIGINAL 1966 CAPITOL RECORDS  MONO LP T-2576
· ORIGINAL U.S. PRESSING
*** STILL SEALED GUARANTEED ORIGINAL FIRST MONO PRESSING (AMERICAN MONO REISSUES DO NOT EXIST)***
· GUARANTEED ORIGINAL BLACK CAPITOL LABEL WITH MULTICOLORED SPECTRUM (“RAINBOW) BAND ALONG THE LABEL’S EDGE AND CAPITOL’S LOGO ON TOP (12 O’CLOCK POSITION) OF THE LABEL , SUCH AS THE ONE SHOWN BELOW, FROM OUR PREVIOUS AUCTION
· EXTREMELY RARE MONO PRESSING, MANY TIMES RARER THAN STEREO
· THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.
· THE ALBUM COMES WITH ORIGINAL GOLDEN YELLOW CAPITOL INNER SLEEVE (WE CAN SEE IT THROUGH THE OPENING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· SMALL PRESSING GENERATION NUMBER AT THE BOTTOM OF THE BACK PANEL IS MISSING; APPARENTLY, THIS IS THE OLDEST KNOWN COVER VERSION, BEFORE CAPITOL EVEN STARTED NUMBERING THE COVER SEQUENCING
· THICK, HEAVY VINYL PRESSING
 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)
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All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either -- Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and "Love You To," George's first and best foray into Indian music. Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound. His most straightforward number was "Doctor Robert," an ode to his dealer, and things just got stranger from there as he buried "And Your Bird Can Sing" in a maze of multi-tracked guitars, gave Ringo a charmingly hallucinogenic slice of childhood whimsy in "Yellow Submarine," and then capped it off with a triptych of bad trips: the spiraling "She Said She Said"; the crawling, druggy "I'm Only Sleeping"; and "Tomorrow Never Knows," a pure nightmare where John sang portions of the Tibetan Book of the Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops. McCartney's experiments were formal, as he tried on every pop style from chamber pop to soul, and when placed alongside Lennon's and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper's, Revolver stands as the ultimate modern pop album and it's still as emulated today as it was upon its original release.
 (EXCERPT FROM AN ONLINE REVIEW BY STEPHEN THOMAS ERLEWINE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)
Finding a still sealed original MONO copy of what many believe is the SINGLE GREATEST ROCK ALBUM OF ALL TIME?!?! Not in this lifetime, you won’t!!! Not even a HOPE!!! This may be the last one you will ever see. BID REASONABLY! BID OFTEN ! BID ENTHUSIASTICALLY!!!
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If you are a European, be forewarned: this is a VERY different version of the album from the one you are used to hearing: American mixes of the Beatles albums are generally different, more "raw" and placing more emphasis on high-end of the frequency range (such as guitar licks and lines) and this one is no exception. In addition, Capitol records issued Beatles albums with a different track listing and sequencing and - again - this one is no exception.
For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye , Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ► click herefor the complete album listing)
For additional historical information on this album, including track listing ►CLICK HERE
Some Reasons Why You Should Own Original American Mono Beatles Albums:
I. These are genuine historical artifacts. Rock & Roll did not produce many works deserving to be called history; albums by Beatles are a noble exception to this rule.
II. These pressings are coveted by EVERYONE and, despite the fact that Beatles sold almost a billion records, precious few original mono albums in good shape remain on the market.
III. Mono pressings are, almost by definition, the very first pressings. They were in print for only short period of time, ranging from only few weeks (Magical Mystery Tour) to three years (Meet the Beatles).
IV. First, mono pressings sound MUCH better and are much more vivid than the stereo versions.
V. Mono versions contain different versions or mixes of many tracks; in some cases mono versions contain the only "proper" versions of the songs, which are available only in FAKE stereo on stereo albums.
VI. Beatles mono albums are all analog pressings; whereas everything else you can currently find on the market is a …~