WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
►Click here to see ALL our ROCK auctions ►Our PSYCH & PROGRESSIVE auctions ►Our PUNK & NEW WAVE auctions ► Our JAZZ auctions ►Our BLUE NOTE JAZZ auctions ►Our BLUES auctions ►Our CLASSICAL auctions ►Our COUNTRY auctions ►Our FUNK auctions ►Our LATIN auctions ►Our METAL auctions►Our REGGAE auctions ►Our SOUL auctions ► Our STILL SEALED ITEMS ►Our PROMO auctions ►Our ACETATE auctions ►Our TEST PRESSING auctions ►Our AUDIOPHILE auctions
· ROLLING STONES - THROUGH THE PAST DARKLY (BIG HITS, VOL.2) - ORIGINAL 1969 LONDON RECORDS STEREO LP NPS-3 (ONE TRACK: 'HAVE YOU SEEN YOUR MOTHER, BABY' IS ELECTRONICALLY PROCESSED STEREO)
· ORIGINAL U.S. PRESSING
*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***
· GUARANTEED ORIGINAL DARK-BLUE LONDON STEREO LABEL WITH WITH “BOXED” (FRAMED) LONDON LOGO, SILVER PRINT AND “STEREOPHONIC” BANNER ACROSS THE LABEL’S CENTER (MID-TO-LATE 60’s STYLE).
· THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.
· ONE “BREATHE” (AIR) HOLE NOTED ON THE SHRINK WRAP
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL 'GIMMICK' COVER.: OCTAGONAL (EIGHT-CORNERED) GATEFOLD COVER
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 7.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
This album was spawned by three coinciding events — the need to acknowledge the death of band co-founder Brian Jones (whose epitaph graces the inside cover) in July of 1969; the need to get "Honky Tonk Women," then a huge hit single, onto an LP; and to fill the ten-month gap since the release of Beggars Banquet and get an album with built-in appeal into stores ahead of the Stones' first American tour in three years. The fact that the Stones had amassed a sufficient number of hits since their last greatest-hits compilation in early 1966 (Big Hits: High Tide and Green Grass) made this a no-brainer, and its song lineup was as potent at the time as any compilation of hit singles by any artist. From the group's excursions into fey psychedelia ("Paint It Black," "Ruby Tuesday," "She's a Rainbow," "Dandelion"), space rock ("2000 Light Years From Home"), punk decadence ("Mother's Little Helper"), and back to straight-ahead rock & roll ("Jumpin' Jack Flash"), some of it with a topical edge ("Street Fighting Man"), it's all incredibly potent, though also redundant to the extent that "Ruby Tuesday" and "Let's Spend the Night Together" had previously appeared on two U.S. albums. The presence of "Honky Tonk Women" propelled it to gold record status upon release on both sides of the Atlantic, although the simultaneously released British version (long out of print, except as a bootleg CD) is different and more confusing, but also more diverse and rewarding musically than the American version. Both this album and Big Hits: High Tide and Green Grass have been supplanted by Hot Rocks and More Hot Rocks, but are still handy in their tight respective focuses.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).
(b) The record is apparently pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(c) US Mono copies of this album are NOT known to exist.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP
NO SIGNIFICANT IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases