Led Zeppelin Lp Ii Rl both Sides Pr Presswell hot Mix/stamper Audiophile Oop

This item have been sold for $ 300.00

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Auction Details:
Code ID
#17226
Ebay Item #
112157783654
Sold Price
$300.00
Bids
1
Auction End date
11 Oct 2016
Seller Location
Belleville Illinois
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Item Description

This is the cool one RL on both sides, RL/SS on one side, this is the most typical PR version, the most sought after and a genuine early first press . VG EX- vinyl, no skips, clean distortion free pressing with little to no surface noise one in a thousand for sure , VG/VG jacket with original inner.

PR PRESSWELL version This is probably the most sought after version. Many people are not aware that Sterling cut individual lacquer discs for each pressing plant and they all differed slightly, even with the same person mastering from the same notes the Presswell is THE HOTTEST stamper they made of this project, with the smallest dead wax TINY by comparison to any other release or even other versions of THIS one .

Rest assured that many myths about this release and the variations therein are just that they all were hot mixes even when RL is just on one side, or LH is on side two they were all from Sterling and mastered from the same notes. Just because this one has RL on both sides, doesn t make it any better than any of the others, but folks seem to hold these in higher esteem.

I wrote Bob Ludwig a while back, basically because I was tired of hearing colloquial knowledge passed down over the years accepted as fact, when common sense dictates a much simpler and streamlined truth. Here is what he had to say to me his email quoted below . You may consider this the final word on the matter, given that I am not trying to elevate the value of my more desirable copy, but rather set the record straight and allow all Sterling mastered copies to be appreciated as equals... as individual works of a lost art at its height.

No matter who initialed it, or didn t, they were all intended to be the same and inferring you have a more or less desirable copy because of these little doodles is just silly they are all the same master, from the same lab, from the same notes . There are no transitional copies . There were no toned down versions hastily made by Lee Hulko at the behest of Ahmet Ertegun. There are simply versions pressed first, by Sterling, supervised by head mastering engineer Bob Ludwig, and inferior second pressings, initiated by Ertegun after the initial press run. All first pressings are superior. All second pressings are INFERIOR and the two were never intermingled or any of the 100 s of suppositional statements made over the years by collectors trying to elevate their versions or deprecate others . Thanks for looking and listening

Here s the straight dope from the guy who mastered this classic vinyl:

Hi Jim,
I m surprised about Lee Hulko s initials being on some of the parts. In all these years I had never come across any copies with his initials before.
When there were big orders of certain titles and there wasn t physically enough time for one person to crank out the lacquers as fast as the record company wanted, sometimes we would help each other out.
For instance, my initials might appear on a Beatles record that Lee mastered.
In every case, compared to now, those titles were relatively easy to master. Once one of us mastered an album and it was approved, we made careful notes, either one of us could cut it and it should come out the same. Back then, Lee and I shared the one room and worked different hours so it is possible one of the plants blew a part and needed a replacement right then with no delay.
So after I mastered the album which Eddie Kramer Atlantic approved it was shipped to all the radio stations and the initial pressing was all from me and Sterling Sound.
Amhet Ertegun at Atlantic heard the album which Eddie demanded be as hot as possible and apparently it skipped on his daughters little turntable. Instead of calling us at Sterling and asking us to lower the level a little and telling us where it skipped, they had the disk cutters at Atlantic use my EQ d cassette file copy and they cut it WAY lower than my original cut plus, in my opinion, it sounded dull and generally not very good sounding in comparison.
So all the disks that were played at the radio stations and all the initial pressings world wide came from me and apparently Lee cut a part or two and that was what sold the record and made it a hit. A year later, whenever I visited someone I would look at their Zeppelin II album to see if it was my cut or Atlantic s cut. It was easy to see by eye, the Atlantic cut ended much farther from the label and the grooves to the naked eye looked very conservative.
I still got to Master Houses of the Holy later on, no skipping problems with that as far as I know
I hope this clears this up for you.
All my best,
Bob Ludwig
Gateway Mastering Studios Inc
428 Cumberland Ave
Portland Maine 04101
207 828 9400
staff AT gatewaymastering.com

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