DONALD BYRD w DUKE PEARSON FANCY FREE RARE SEALED ORIG 1969 BLUE NOTE LP - rare vinyl collector item


« Back to Main Page

DONALD BYRD w/DUKE PEARSON~FANCY FREE~RARE SEALED ORIG 1969 BLUE NOTE LP

DONALD BYRD wDUKE PEARSONFANCY FREERARE SEALED ORIG 1969 BLUE NOTE LP
[CLICK ON IMAGE TO ENLARGE]
Auction Details:
Code ID
#11970
Ebay Item #
161901573245
Sold Price
$775.55
Bids
29
Auction End date
06 Dec 2015
Seller Location
Rego Park, New York

Item Description

<img src= http://pics


WE CURRENTLY HAVE  NEARLY 500  LISTED ITEMS
Click here to see ALL our ROCK auctionsOur PSYCH & PROGRESSIVE  auctionsOur PUNK & NEW WAVE  auctions Our  JAZZ auctionsOur BLUE NOTE JAZZ auctions  ►Our BLUES auctionsOur CLASSICAL auctionsOur COUNTRY auctionsOur FUNK auctionsOur LATIN auctionsOur METAL auctionsOur REGGAE auctionsOur SOUL auctions Our STILL SEALED ITEMS  ►Our PROMO auctions  ►Our AUDIOPHILE auctions
♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫
· DONALD BYRD with FRANK FOSTER, DUKE PEARSON, JOE CHAMBERS AND OTHERS – FANCY FREE – ORIGINAL  1970 BLUE NOTE STEREO LP BST-84319
· ORIGINAL  U.S. PRESSING
*** STILL SEALED BLUE NOTE STEREO LP, BELIEVED TO BE THE ORIGINAL LIBERTY PRESSING (SORRY, WE ARE NOT ENTIRELY CERTAIN) ***
· BELIEVED TO BE THE ORIGINAL PRESSING ON WHITE AND BLUE 'BLUE NOTE' LABEL WITH 'A DIVISION OF LIBERTY RECORDS INSCRIPTION ON THE LABEL
· THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.
· TWO “BREATHE” (AIR) HOLES NOTED ON THE SHRINK WRAP
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)
♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫
1969's Fancy Free marked the beginning of Donald Byrd's move away from hard bop, staking out fusion-flavored territory that -- at this juncture -- owed more to Miles Davis than the R&B-dominated jazz-funk Byrd would embrace several years down the road. Recorded just a few months after Davis' In a Silent Way, Fancy Free finds Byrd leading a large ensemble prominently featuring Frank Foster on tenor, Lew Tabackin or Jerry Dodgion on flute, and several percussionists. But the most important piece of the puzzle is Duke Pearson's electric piano, the first time Byrd utilized the instrument. Pearson dominates the texture of the group sound, which makes the entirety of the session seem farther outside the realm of funky hard bop than it actually is. However, that's not to say that Fancy Free isn't a clear break with Byrd's past -- especially the two Byrd originals that open the album. The title track -- which later became one of Byrd's more covered compositions -- contrasts Pearson's spacy musings with a busy, funky percussion groove, and there's a loose, open feel to the improvisations that breaks with hard bop conventions. The warm ballad "I Love the Girl" has a similarly airy feel, and at eight and a half minutes, is the shortest cut; clearly Byrd wanted an open framework for exploration. The other two numbers are more traditional hard bop compositions by former Byrd students, which -- although funky and full of improvisations -- can't help but feel more tethered than their predecessors. Still, even if it isn't his most adventurous fusion outing, Fancy Free is the rare Donald Byrd album that holds appeal for rare-groove fanatics and traditionalists alike.
 (EXCERPT FROM AN ONLINE REVIEW BY STEVE HUEY, ALL MUSIC GUIDE  /ALLMUSIC.COM/)


TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫
· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).
(b) The record is believed to come in its original stock inner sleeve.
(c) The record is  apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging.
- Cover has a light "wrinkle" (crease)  in one of the corners.
- Cover has one corner slightly worn / dinged (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents