Locomotive We Are Everything You See Lp Orig Uk 1970 ex Parlophone 1st Press

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Auction Details:
Code ID
#11795
Ebay Item #
331733859579
Sold Price
$943.05
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13
Auction End date
25 Dec 2015
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Item Description

LOCOMOTIVE

WE ARE EVERYTHING YOU SEE

LP ORIG UK 1970

PARLOPHONE 1st PRESS

Record-Excellent Condition

Original Inner Sleeve-Excellent Condition

Sleeve-Very Good Condition .. Light Wear

Locomotive band

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The LocomotiveOriginBirmingham, EnglandGenresRB, soul, ska, progressive rockYears active1965 1970LabelsDirection
ParlophoneAssociated actsKansas City Seven
Traffic
Steam Shovel
The Dog That Bit People
Steve Gibbons BandPast membersJim Simpson
Danny King
Chris Wood
Brian Monk Finch
Richard Storey
Pete Allen
Mike Kellie
Norman Haines
Jo Ellis
Bill Madge
Mooney Mezzone
Mick Hincks
Bob Lamb
Mick Taylor
John Caswell
Keith Millar

Locomotive originally The Locomotive 1 were a British band in the 1960s, from Birmingham. Their musical styles ranged from jazz to psychedelic rock and ska, and their original line-up featured Chris Wood, later of Traffic, and drummer Mike Kellie of Spooky Tooth. They had a minor UK hit in 1968 with Rudi s In Love , before turning to progressive rock with their only album, We Are Everything You See, released in 1970.

Contents

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1 Career2 Discography 2.1 Singles2.2 Albums3 References

Career edit

The group was formed in 1965, originally as the Kansas City Seven, by trumpeter Jim Simpson, with singer Danny King, saxophonists Chris Wood and Brian Monk Finch, organist Richard Storey, bass player Pete Allen, and drummer Mike Kellie. All the members had previously played in local bands in Birmingham. After they began playing less jazz and more RB and soul music, they changed their name to The Locomotive, and gained a strong reputation for their live performances. There were many personnel changes, and by the end of 1966, after Wood left to join Steve Winwood, Jim Capaldi and Dave Mason in Traffic, Simpson was the only remaining original member. Other members by that time were singer and keyboard player Norman Haines, together with Jo Ellis bass , Bill Madge saxophone , and drummer Mooney Mezzone, 2 later to become a singer and songwriter. 3

Having worked in a record shop in Smethwick, an area of Birmingham with a large Black British population of West Indian descent, Haines developed a particular interest in ska music. Increasingly, he took over as front man, and the band s first single, on the Direction label, combined Haines composition, Broken Heart , with a version of Dandy Livingstone s A Message to You, Rudy , which was later revived by The Specials. In 1968 Simpson left the band in order to act as their manager, setting up still-extant label Big Bear Records he later became the manager of local band Black Sabbath. In other personnel changes, Ellis and Mezzone were replaced by Mick Hincks bass and Bob Lamb drums , with trumpeter Mick Taylor replacing Simpson. The band dropped the definite article from their name, moved to Parlophone Records, and their second single, Rudi s In Love , was a ska song written by Haines. It became a hit, reaching no. 25 on the UK pop chart in late 1968. 2 4

Following the single s success, Locomotive recorded an album at the Abbey Road Studios in London with producer Gus Dudgeon. By this time, however, the band decided to perform more progressive rock, based around Haines keyboard skills. 5 Because of their uncertainty over how it would be received, the record company delayed the release of the album. A single, a version of a Question Mark and The Mysterians song, I m Never Gonna Let You Go , was released but failed to make the charts. Haines left the group in 1969, reportedly turning down an offer to join Black Sabbath and eventually forming the Norman Haines Band. 2

On its eventual release in early 1970, the Locomotive album, We Are Everything You See, received good reviews, but failed to appeal to the band s earlier RB audience. 2 The album included the track Mr. Armageddon , released as a single and later included on several anthologies of progressive rock of the time, together with two tracks, Coming Down and Love Song For the Dead Ch , which were versions of Joseph Byrd s songs for his band The United States of America. 5 6 The band also recorded a single for the Transatlantic label, under the name of Steam Shovel. 5

Hincks and Lamb attempted to continue Locomotive with new members John Caswell and Keith Millar, releasing a single Roll Over Mary , before changing the group s name to The Dog That Bit People in 1970. The renamed band released an album in 1971 before splitting up. Hincks and Lamb joined another local band, Tea and Symphony, before Lamb joined the Steve Gibbons Band and later worked as a record producer for UB40. 2 5

We Are Everything You See was reissued on CD in 1995 and again in 2010. 7

Discography edit

Singles edit

Broken Heart / Rudy - A Message To You Direction, 1967 Rudi s In Love / Never Set Me Free Parlophone, 1968, UK chart no. 25 I m Never Gonna Let You Go / You Must Be Joking Parlophone, 1969 Mr. Armageddan / There s Got To Be A Way Parlophone, 1969 Roll Over Mary / Movin Down The Line Parlophone, 1970

Albums edit

We Are Everything You See Parlophone, 1970

References edit

Jump up Label shot of Broken Heart Jump up to: a b c d e Locomotive at BrumbeatJump up Mezzone/WilliamsJump up Betts, Graham 2004 . Complete UK Hit Singles 1952-2004 1st ed. . London: Collins. p. 459. ISBN 0-00-717931-6. Jump up to: a b c d Biography by Bruce Eder at AllmusicJump up Vernon Joynson, The Tapestry of Delights - The Comprehensive Guide to British Music of the Beat, RB, Psychedelic and Progressive Eras 1963-1976Jump up We Are Everything You See at Discogs
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Retrieved from band oldid694214938
Categories: English rock music groupsMusical groups from Birmingham, West MidlandsMusical groups established in 1965Musical groups disestablished in 1970



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